Reading and analysing the play, we established the key-elements of a scenography that aims to unify different expression tools, such as projections, lights, music and action.

 

We thought of a single metamorphic object as the centre of scene, that could be adapted to the play's requirements at every moment. The complete integration of the object  with the action is an essential part of our proposal.

 

To decide which object could hold all these aspects, we read up the play once again, searching for the answer in the text itself.

During the play, there are many references to television programmes, news, internet and the media in general. In the hall of the building, there will be several screens constantly broadcasting news, words and videos. The play seeks to mirror real life, where we are absorbed by the universe of media and communication platforms, always capturing our attention through the screens of our mobiles, televisions, laptops etc.

 

We took the idea of the screen and amplified it to create a kind of Pandora's Box, a big empty cube with three translucent sides, where actors can move in and out, that can be hooked and raised, and can also be used as a projection screen.

 

In this section we will complete the final scenography design, in order to calculate its real price and the timescale of the manufacturing process.